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  • WH Auden (via Alan Jacobs): 

    As readers, we remain in the nursery stage so long as we cannot distinguish between Taste and Judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don’t like.

    For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don’t like it; I can see this is good and, though at present I don’t like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don’t like it.

    → 8:48 AM, Aug 24
  • The Cross Where Fantasy Dies

    Yet the noble despair of the poets
    Is nothing of the sort; it is silly
    To refuse the tasks of time
    And, overlooking our lives,
    Cry — “Miserable wicked me,
    How interesting I am.”
    We would rather be ruined than changed,
    We would rather die in our dread
    Than climb the cross of the moment
    And let our illusions die.

    — Malin, in The Age of Anxiety

    → 7:21 PM, Feb 25
  • With the farming of a verse...

    Today in 1939, William Butler Yeats dies.

    In Memory of W. B. Yeats
    W. H. Auden - 1907-1973

    I

    He disappeared in the dead of winter:
    The brooks were frozen, the airports almost deserted,
    And snow disfigured the public statues;
    The mercury sank in the mouth of the dying day.
    What instruments we have agree
    The day of his death was a dark cold day.

    Far from his illness
    The wolves ran on through the evergreen forests,
    The peasant river was untempted by the fashionable quays;
    By mourning tongues
    The death of the poet was kept from his poems.

    But for him it was his last afternoon as himself,
    An afternoon of nurses and rumours;
    The provinces of his body revolted,
    The squares of his mind were empty,
    Silence invaded the suburbs,
    The current of his feeling failed; he became his admirers.

    Now he is scattered among a hundred cities
    And wholly given over to unfamiliar affections,
    To find his happiness in another kind of wood
    And be punished under a foreign code of conscience.
    The words of a dead man
    Are modified in the guts of the living.

    But in the importance and noise of to-morrow
    When the brokers are roaring like beasts on the floor of the bourse,
    And the poor have the sufferings to which they are fairly accustomed
    And each in the cell of himself is almost convinced of his freedom
    A few thousand will think of this day
    As one thinks of a day when one did something slightly unusual.

    What instruments we have agree The day of his death was a dark cold day.

    II

    You were silly like us; your gift survived it all:
    The parish of rich women, physical decay,
    Yourself. Mad Ireland hurt you into poetry.
    Now Ireland has her madness and her weather still,
    For poetry makes nothing happen: it survives
    In the valley of its making where executives
    Would never want to tamper, flows on south
    From ranches of isolation and the busy griefs,
    Raw towns that we believe and die in; it survives,
    A way of happening, a mouth.

    III

    Earth, receive an honoured guest:
    William Yeats is laid to rest.
    Let the Irish vessel lie
    Emptied of its poetry.

    In the nightmare of the dark
    All the dogs of Europe bark,
    And the living nations wait,
    Each sequestered in its hate;

    Intellectual disgrace
    Stares from every human face,
    And the seas of pity lie
    Locked and frozen in each eye.

    Follow, poet, follow right
    To the bottom of the night,
    With your unconstraining voice
    Still persuade us to rejoice;

    With the farming of a verse
    Make a vineyard of the curse,
    Sing of human unsuccess
    In a rapture of distress;

    In the deserts of the heart
    Let the healing fountain start,
    In the prison of his days
    Teach the free man how to praise.

    → 9:30 AM, Jan 28
  • Vocation Signpost

    This week, I started the winter term of the Clinical Pastoral Education (CPE) residency. That means I’ve been at it for three months. The final assignment for the Fall was a comprehensive self-evaluation. I found simultanious relief in not having to cram for a final on one hand. On the other, I struggled to give the assignment a fair shake becuase of the simple and searching prompts given to stimulate reflection. One of the supervisors of the program told me that, next term, he would hold my feet to the fire about “Naming what your’e good at.” I heard the words of W.H. Auden:

    You owe it to all of us to get on with what you’re good at.

    I’ve also learned that the road to full-time hospital chaplaincy requires board certification from BCCI. Along with board certification, one is required to have denominational endorsement. The Presbyterian Church in America offers great resources for that here.

    → 12:36 PM, Dec 5
  • “We must love one another or die.” —W.H. Auden

    Thank you for the reminder, Nick.

    → 10:43 AM, Oct 28
  • Dana Gioia on what first drew him to W.H. Auden’s poetry: “Its music, its intelligence, and its great sense of fun.”

    → 9:47 AM, Jun 15
  • What's in a name?

    Their Lonely Betters by W.H. Auden

    As I listened from a beach-chair in the shade
    To all the noises that my garden made,
    It seemed to me only proper that words
    Should be withheld from vegetables and birds.
    A robin with no Christian name ran through
    The Robin-Anthem which was all it knew,
    And rustling flowers for some third party waited
    To say which pairs, if any, should get mated.

    Not one of them was capable of lying,
    There was not one which knew that it was dying
    Or could have with a rhythm or a rhyme
    Assumed responsibility for time.

    Let them leave language to their lonely betters
    Who count some days and long for certain letters;
    We, too, make noises when we laugh or weep:
    Words are for those with promises to keep.

    → 4:09 PM, May 12
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